How it feels to float is an emotionally tense, intimate and poetically vivid experience of a teenage girl dealing with friendships, sexuality, loss, grief and hereditary mental illness. At its core it’s a heartbreakingly relatable journey that touches on the growing pains of teenage-hood and trauma, and displays the downward spiral and coming to terms with mental health. Written with grace and believability, Biz is a complicated character with complicated yet wonderful relationships. The chapters are short and quick. The read throughout is a mix of touching groundedness and somewhat disorienting surrealism. I was reminded throughout of the feelings evoked during reads of some of Kathleen Glasgow’s books with similar themes, and like Kathleen, Fox has a stunning way with words and conveying pain.
The downside is that books like these can be emotionally draining investments of time. Some relationships at the end were left “messy” in some sense – not outright resolved and the first couple of chapters felt a little odd to get into. Beyond those first chapters though the capturing writing style Fox uses and the slow unwinding of Biz makes it difficult not to see the story to its end.
4/5 – A book to experience for its poetic yet nuanced and raw depiction of mental illness and grief.
How To Make Friends With The Dark – Kathleen Glasgow Quick Review
16 year old Tiger is concerned about normal teenage things. Her clothes, her best friend, a boy, a dance, a kiss. Then one day, her mother dies. And she is alone. And nothing that mattered before, mattered anymore. This book is a guide to grief. What you might go through, what others go through, how it will feel in the dark, how dark and isolated it can be. How one person came to terms with it and continued life not on the other side of it but beyond the beginning. Embracing the dark and the grief that remains after it enters your life.
How To Make Friends With The Dark is a wonderfully heartbreaking, tough and hopeful book. One that I could not read in one sitting. This book requires breaks. Tigers grief is hard to be pulled into for too long. The pacing converges into this, a bit strange, cyclical or unpredictable out of the blue, but in a way that makes sense and adds realness to the story. Tiger’s mother has died and with her Tiger has lost normalcy – routine, predictability. It gets slow. You’re afloat with Tiger, you’re close to her thoughts, and all at once something is happening that feels out of her control and the the pace hurtles forward.
Kathleen Glasgow seems to know how exactly to push all m emotional buttons. She goes in on issues – death, grief, depression, suicide, sickness, abuse, addiction. Tiger gets deep, down into the dark. The new lows she reaches dealing new perspective not just to her but for me as the reader.
Strong, complicated and varied forms of female relationships.
Some things aren’t resolved outright, as it tends to not in life.
While there was a budding romance, there is no push into pursuing the previous or new which I appreciated. Tiger didn’t need a romance to take over this story. She had enough on her plate.
Tiger’s mom, June, wasn’t depicted as perfect. Neither was the relationship between mother and daughter before her death. June was complicated and had lived with her own life and grief and had her own faults. She wasn’t the best mother but she was Tiger’s, and her loss was devastating nonetheless.
Told in an effective and engaging manner where I felt that even if I didn’t relate to or particularly like a character, I could still feel for them which really highlights the honesty and empathy embedded into the book.
Grief didn’t feel like isolation in the end. It felt like a community. Something no one goes through truly alone. Something you won’t get past but can pull yourself up from.
It’s not a quick or easy read. The visceral and gut-wrenching nature of it takes time.
The pacing at times added to the difficulty getting through the book. Sometimes mundane and repetitive and too much into Tiger’s thoughts with few events for too long.
– 4/5 Raw, dark, messy and relatable. A guide to grief.
When her relationship comes to a sudden end, Laura Lochner escapes city life for her sisters house in the suburbs. Despite the lack of luck she’s had in love, with the support of her sister Rosie, Laura pushes herself to try again. She’s met someone online. When she doesn’t return from her date the morning after, Rosie is left trying to piece together what could have happened to Laura… or what Laura could have done to her date.
The Night Before is separated between Laura’s past therapy sessions, Laura’s present POV, Laura’s POV from the night before and Rosie’s present POV. It sounds like a potentially clustered mess of chapters but I promise you, it is very easy to follow and the different POV’s worked well to serve the purpose of the book.
I could not stop reading this book. I flew through it all in one night, pulled in and consumed by the mystery. It was all the qualities I tend to fall in love with; emotionally resonant themes, characters and events, an unreliable narrator, intriguing twists and turns that had me changing my perception again and again and again.
Though I am new to Walker’s work, I could see her skill at evoking unease and dread, keeping the suspense and mystery building. Using carefully drawn out personal details and past events to color the characters and add to the way the readers view their actions. The subtle word choices that could be read as honesty or guilt or innocence or as a threat. The troubled girl who could be victim or predator just as easily. Who is the dangerous one? Laura? Jonathan Fielding, a stranger that Laura met online, who she’s alone with and vulnerable with, who she could potentially know nothing about? Are we being led to disregard Laura’s ability to be a victim because of how she and others perceive her?
There is no shortage of clever misdirection utilized. Honestly, I suspected several people, almost everyone, in turns which made the revelations at the end satisfying and the extent of it all surprising.
The two POV characters are convincingly their own voices. The rest felt mostly like background characters as the focus was for the most part on the two women and told in first person.
The one thing I had some trouble with (which I won’t go into much as I don’t want to give anything away) were some of the character decision making and opinions that felt kind of like odd leaps. There was also a lot of backstory, internal monologuey, telling but it was used well and definitely helped with some aspects of keeping up the story’s mystery.
This was a great read. I really recommend it. It’s short, it’s compelling and it’s psychologically dark.
*I have received a copy of this book via NetGalley in exchange for an honest review.*
– 4/5 The Night Before checks all of my psychological thriller boxes. It’s twisty, tense and the writing pulls you in and makes you question everything.